Childhood – Frances Cornford

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レッスンノート

The poem at a glance

"Childhood" by Frances Cornford (1886–1960) is a ten-line lyric in one stanza, from×Songs of Ourselves×Vol 1, Part 5.
An adult speaker looks back on a childhood belief — that grown-ups chose to look old "on purpose to be grand" — and the moment that belief broke.
Watching her great-aunt Etty's friend struggle to gather her scattered onyx beads, the child realises the old woman is "helplessly old", just as the child is "helplessly young".
Key ideas: innocence and experience, ageing, helplessness, empathy, a sudden epiphany.

The child's mistaken belief (lines 1–4)

"I used to think" — the past tense signals a retrospective voice: the older speaker knows better now.
The child thought adults "chose" their "stiff backs" and "wrinkles round their nose" — signs of age misread as signs of power and dignity.
The simile "veins like small fat snakes on either hand" is vivid and slightly grotesque — seen through a child's fascinated, unsympathetic eyes.
"On purpose to be grand" — a short, confident line: the child sees adults as impressive, in control, even enviable.
The humour is gentle: the reader recognises the naivety.

The moment of change (lines 5–8)

"Till" marks the turn (volta): a single remembered day breaks the belief.
The child watches "through the banisters" — a child's-eye viewpoint, half-hidden, looking down on adult life.
The friend's onyx beads had come unstrung; she gropes to find them as they rolled — a small, undignified, very human accident.
"Grope" suggests fumbling, poor sight, loss of control — the opposite of "grand".
The broken necklace is a symbol of the body coming apart with age, and of the child's belief falling to pieces.

The epiphany (lines 9–10)

"And then I knew" — sudden understanding, an epiphany.
The ending sets two lines side by side in parallel: she was "helplessly old", as I was "helplessly young".
The repeated adverb "helplessly" links the two ends of life: neither the very young nor the very old are in control.
The child moves from seeing the old woman as other and grand to feeling empathy — seeing herself in her.
The quiet ending leaves the reader with a sense of shared human vulnerability.

Form, rhyme and rhythm

Ten lines in rhyming couplets: "chose/nose", "hand/grand", "day/away", then "unstrung / young" and "rolled / old" wrap round the last lines.
The neat couplets suit the child's tidy certainty; the change of pattern at the end mirrors the belief coming undone.
Mostly iambic rhythm, conversational and calm.
The short line "On purpose to be grand" stands out — a confident full stop to the child's theory.
The whole poem is one sentence-long memory compressed into a single stanza.

Writing about the poem

Focus on the turn at "Till" and the contrast between "grand" and "helplessly".
Explore the dual perspective: the child's view and the adult speaker's hindsight.
Analyse the beads as a symbol, and the verbs "grope" and "rolled".
Consider your own response: is the ending sad, comforting, or both?
Useful pairings for Section B: "Follower" (childhood and ageing roles reversed), "My Parents" (childhood perspective), "Praise Song for My Mother".

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練習問題

無料プレビュー — 38問中8問。すべて見るには登録を。

1.Who wrote 'Childhood'?
Easy
- AFrances Cornford
- BCharlotte Mew
- CRuth Pitter
- DElizabeth Bishop
2.What did the child used to believe about grown-ups?
Easy
- AThey were always unhappy
- BThey could not see well
- CThey disliked children
- DThey chose their stiff backs and wrinkles to look grand
3.Whom does the child watch through the banisters?
Easy
- AHer mother
- BA teacher
- CGreat-aunt Etty's friend
- DHer grandmother
4.What had come unstrung?
Easy
- AA violin
- BOnyx beads
- CA pearl necklace
- DHer shoelaces
5."veins like small fat snakes on either hand" is an example of…
Medium
- Aa simile
- Ba metaphor
- Cpersonification
- Donomatopoeia
6.Which word marks the turn in the poem?
Medium
- AUsed
- BGrand
- CHand
- DTill
7.How is the poem arranged?
Medium
- AA sonnet
- BA villanelle
- CA single stanza of ten lines
- DThree quatrains
8.Which word is repeated in the final two lines?
Medium
- AGrope
- BHelplessly
- CGrand
- DBeads

もっと問題

9.What is the effect of the parallel ending 'helplessly old' / 'helplessly young'?
Medium
- AIt links youth and age as equally powerless
- BIt shows the child is stronger
- CIt mocks the old woman
- DIt shows the child is afraid of beads
10.What does the verb 'grope' suggest about the old woman?
Medium
- ASpeed and confidence
- BAnger at the child
- CWealth and grandeur
- DFumbling, loss of control and poor sight
11.What might the broken necklace symbolise?
Medium
- AA family quarrel
- BA gift from the child
- CThe body and the child's belief both coming apart
- DThe friend's wealth
12.Why is the phrase 'through the banisters' effective?
Medium
- AIt explains why the beads broke
- BIt places us at a child's height, watching adult life half-hidden
- CIt describes a garden gate
- DIt shows the child is in prison
13.What is the effect of 'I used to think' at the start?
Medium
- AIt shows an older speaker looking back on a belief now abandoned
- BIt shows the speaker still believes it
- CIt introduces a dream
- DIt addresses the reader as a child
14.What is the best description of the moment the child 'knew'?
Medium
- AA moment of triumph
- BA decision to leave home
- CA memory of a dream
- DAn epiphany of empathy with the old woman
15.What rhyme pattern does most of the poem use?
Medium
- AABAB quatrains
- BA refrain
- CRhyming couplets
- DNo rhyme at all
16.Why might the tidy rhymes suit the first half of the poem?
Medium
- AThey hide the speaker's identity
- BThey reflect the child's neat, confident certainty
- CThey show the poem is a nursery rhyme
- DThey slow the old woman down
17.Which signs of age does the child mention? (select all that apply)
Medium
- AWrinkles round their nose
- BVeins like small fat snakes
- CGrey hair
- DWalking sticks
- EStiff backs
18.Which themes does the poem explore? (select all that apply)
Medium
- AEmpathy
- BWar
- CNature
- DInnocence and experience
- EAgeing and vulnerability
19.Which methods does Cornford use? (select all that apply)
Medium
- AA refrain in every line
- BA dramatic monologue to a listener
- CA simile about veins
- DA volta at 'Till'
- EParallel structure at the end
20.The poem is spoken by an adult looking back on childhood.
Easy
True or false?
21.The old woman is the speaker's mother.
Easy
True or false?
22.The old woman's beads scatter and roll.
Easy
True or false?
23.By the end, the child still believes adults choose to look grand.
Medium
True or false?
24.The poem suggests both the young and the old lack control.
Medium
True or false?
25.The poem is divided into several stanzas.
Medium
True or false?
26.The old woman was going away when the child watched her.
Medium
True or false?
27.Which word best describes the tone of the ending?
Medium
- AFurious
- BTriumphant
- CQuietly sympathetic
- DMocking
28.Which word in the poem most directly contradicts 'grand'?
Medium
- AFriend
- BHelplessly
- CChose
- DBanisters
29.Match each quotation to the idea it shows.
Medium
- "On purpose to be grand"
- "through the banisters"
- "grope"
- "helplessly young"
- The child's mistaken belief
- A child's-eye viewpoint
- Loss of control in age
- Shared vulnerability
30.Match each technique to its example.
Medium
- Simile
- Volta
- Parallelism
- Rhyming couplet
- "veins like small fat snakes"
- "Till"
- "helplessly old… helplessly young"
- "hand / grand"
31.Put the stages of the poem in order.
Medium
- The child realises the woman is helplessly old
- The child believes adults chose to look grand
- The beads come unstrung and roll
- The child watches through the banisters
32.Complete the line.
Easy
On purpose to be ____.
33.Complete the final phrase.
Medium
As I was helplessly ____.
34.Complete the sentence.
Medium
The old woman's ____ beads had come unstrung.
35.Whose friend drops her beads?
Easy
36.What is the term for a sudden moment of understanding, like the child's at the end?
Medium
37.Explain how Cornford presents the change in the child's understanding.
Medium
38.Explore how the final two lines make the poem memorable.
Hard

復習ノート

## Overview - Frances Cornford; **10 lines**, one stanza, rhyming **couplets**. An adult recalls a childhood belief and its collapse. ## Structure - Lines 1–4: adults "chose" stiff backs, wrinkles, "veins like small fat snakes" (**simile**) — "On purpose to be **grand**". - "**Till**" (volta): through the **banisters**, great-aunt Etty's friend's **onyx beads** come unstrung; she **gropes** as they **rolled**. - Ending (**epiphany**): she was "**helplessly old**", as I was "**helplessly young**" — **parallelism**. ## Themes - Innocence and experience; ageing; helplessness; empathy. ## Methods - Retrospective voice ("I used to think"); simile; volta; symbol (beads); repetition; couplets mirroring certainty.

Retrospective voice: A speaker looking back on an earlier time with hindsight.
Volta: A turn in a poem — here at 'Till'.
Epiphany: A sudden moment of understanding.
Parallelism: Repeating a grammatical structure for balance: 'helplessly old' / 'helplessly young'.
Simile: A comparison with like or as: 'veins like small fat snakes'.
Symbol: An object standing for a larger idea — the scattered beads.
Rhyming couplet: Two consecutive lines that rhyme.
Empathy: Understanding and sharing another's feelings.

フラッシュカード

Who wrote 'Childhood'?

Frances Cornford.

What did the child believe?

That adults chose their stiff backs and wrinkles 'on purpose to be grand'.

Key simile?

'veins like small fat snakes on either hand'.

Which word turns the poem?

'Till'.

What does the child see?

Great-aunt Etty's friend groping for her scattered onyx beads.

Final two phrases?

'helplessly old' / 'helplessly young'.

What does the ending suggest?

Youth and age are both helpless — a moment of empathy.

Form?

A single ten-line stanza in rhyming couplets.

What do the beads symbolise?

The body and the child's belief falling apart.

Why 'through the banisters'?

A child's-eye viewpoint, looking at adult life half-hidden.

Good comparison poems?

Follower; My Parents; Praise Song for My Mother.

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