Coursework Assignment 2: Descriptive Writing

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Notas de aula

Assignment 2: Descriptive Writing – Overview

  • Assignment 2 is a piece of descriptive writing for your coursework portfolio.
  • It should be between 500 and 800 words in length.
  • You are assessed on writing skills only.
  • Marks: 10 marks for content and structure, 15 marks for style and accuracy.
  • Your aim is to enable the reader to picture what you are describing in their minds.
  • You are not writing a story, but you can include thoughts and feelings, a sense of place and atmosphere, and changes in perspective and time.

Examples of Descriptive Writing Tasks

  • You may be asked to describe a busy place, such as a cafe, a market or a train station.
  • You may be asked to describe an important gathering or celebration.
  • You may be asked to describe a moment when time stands still.
  • You may be asked to describe a natural event such as a sunrise or sunset.
  • Your description should not be static; better responses tend to be based on personal experience.

How to Write to Describe: Observational Writing

  • Descriptive writing is observational writing: the narrator does not interact with surroundings or other characters.
  • No characters are crafted; it is like imagining you are behind the lens of a camera, describing a “snapshot” of a moment.
  • The scene should not be static; note the movements and action you “witness”.
  • Action or movement should not involve interaction with other characters or settings.
  • Action should not move the “plot” along; a description must not include any story progression.
  • Any action should cover only a short period of “real time”, such as the wind blowing a basket over.
  • Something seemingly inconsequential could move in the background, especially effective when contrasted with things that remain still.

Six-Step Structure for Descriptive Writing

  • Step 1 Panoramic: broadly describe the scene; introduce the time and atmosphere.
  • Step 2 Zoom: focus your lens on one segment of the “image”; choose smaller, less obvious details.
  • Step 3 Single line: emphasise the key feeling of your description in one line.
  • Step 4 Shift: focus your lens on another segment; if you started in the foreground, move to something in the background.
  • Step 5 Shift: move your lens to a final segment, or suggest something that is just “off camera”.
  • Step 6 Panoramic: zoom out again to look at the scene from a new perspective; consider how it has changed in time, atmosphere or mood.

Tone and Mood

  • Match your tone of voice with the mood of the scene; your sentences should reflect the atmosphere.
  • For a mysterious and frightening scene, your sentences should reflect a suspenseful mood.
  • Short sentences reflect tension and unease, e.g. “No sound could be heard.”
  • Longer sentences and listing can create a sense of being overwhelmed, or of abundance, e.g. “The market was laden with apples, grapes, oranges, loaves of bread, chunks of cheese and every type of vegetable one could imagine.”

Style and Register: Vocabulary and Imagery

  • The best answers show evidence of careful word choice and the deliberate but judicious use of linguistic techniques.
  • Use vocabulary that is useful to the reader; describing something as “brilliant” or “amazing” is not descriptive.
  • Be specific and ambitious in your choice of adjectives.
  • Use sensory language to bring the scene to life: focus not just on what can be seen, but also what can be heard, smelled or felt.
  • Emphasise key ideas or impressions using language techniques and imagery; for example, use a simile to create associations about size or colour.
  • Personification is a useful technique when describing weather or objects.
  • Describe the important details: you do not need to describe every inch of a person or scene bit by bit; focus on key features.

Using Contrast to Bring a Scene to Life

  • Sound and silence: noise contributes to the reality of a scene — chatter, background noise, the weather or nearby wildlife all bring the scene to life.
  • Using moments of silence can also be effective: a momentary lull, or a really purposeful moment of quiet.
  • Movement and stillness: some things may move — this could be the main focus or something in the background; it could be human, animal or object — use personification.
  • Powerful verbs and adverbs can create dynamic movement, e.g. “The swarming, struggling crowd.”
  • Other things will remain still: focus on things that resist being moved, or whose stillness is in contrast with the movement of something.
  • Avoid clichés such as “still as a statue”.
  • Light and dark: describe sources of light, and also the way the light hits other things.
  • Where there’s light, there’s also darkness: consider what shadows are cast or where the light does not reach, and who or what is left in the darkness.

Top Tips for Descriptive Writing

  • Make use of striking and original images, rather than relying on stereotypical ideas and images.
  • Ensure that all of the words you choose contribute to the overall atmosphere and effect you want to create.
  • Do not confuse tenses in a paragraph: if you use a flashback, write it in the past tense; if you use present tense verbs for effect, do this consistently.
  • Do not use dialogue in a descriptive writing piece; also do not provide background information or develop character interaction.
  • When describing people, focus on their body language or movements.
  • Zoom in and out of the image you are creating, as if you are behind a camera.
  • Include some movement to contrast and add interest.
  • Use sensory language to create a clear mood, but adjust the focus and perspective as your paragraphs develop.
  • Descriptive writing should include movement and sound, but the “narrator” should be a silent observer.
  • Vary your sentence and paragraph lengths to keep the style and tone dynamic.
  • It is effective to repeat ideas related to colour; consider picking out a key detail, such as the colour of houses’ roofs.
  • Remember, this is not a story: you do not need to provide a “happy ending”.

Planning Example: “Describe trying to sleep before an important day”

  • Step 1 Panoramic: introduce motif of clock; dark outside, contrasting with light and stillness; describe what I can hear and feel.
  • Step 2 Zoom: focus on a fly — add movement and sound.
  • Step 3 Single line: turn over/re-adjust bedding.
  • Step 4 Shift: focus on what is going on in my mind; use imagery to convey inner thoughts.
  • Step 5 Shift: describe what can be heard outside in the street.
  • Step 6 Panoramic: wake up — must have fallen asleep; describe changes in light and atmosphere; return to motif of clock — late.

Model Answer Commentary and Summary

  • The first paragraph employs contrast and literary techniques to establish an eerie atmosphere of the middle of the night.
  • The second paragraph zooms in on detail and incorporates movement.
  • A single sentence is used for contrast and effect.
  • The motif of the clock is woven throughout the response.
  • The focus shifts to something “off camera”, using sensory language.
  • The final paragraph indicates a shift in time and mood; it contrasts stillness with activity.
  • Remember, you are not writing a story: think of describing a scene as though from behind the lens of a camera.
  • Employ sensory language, shifts in perspective, figurative language and contrasts to add interest and detail.
  • Do not include dialogue; vary your sentence and paragraph lengths; make sure you add movement to your description.

Slides

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Questões de prática

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  1. 1.In the six-step structure for descriptive writing, which step involves focusing your lens on one segment of the 'image' and choosing smaller, less obvious details?

    Easy
    • AStep 1 Panoramic
    • BStep 2 Zoom
    • CStep 3 Single line
    • DStep 4 Shift
  2. 2.Which of the following best describes the purpose of Step 3, the 'Single line', in the descriptive writing structure?

    Medium
    • ABroadly describe the scene and introduce the time and atmosphere
    • BEmphasise the key feeling of your description in one line
    • CFocus your lens on another segment of the 'image'
    • DZoom out again to look at the scene from a new perspective
  3. 3.Read this sentence: 'The market was laden with apples, grapes, oranges, loaves of bread, chunks of cheese and every type of vegetable one could imagine.' Which effect does the long sentence with listing create?

    Medium
    • AA sense of tension and unease
    • BA sense of being overwhelmed, or of abundance
    • CA sense of silence and stillness
    • DA sense of mystery and fear
  4. 4.In descriptive writing, which of the following should you avoid?

    Medium
    • ASensory language
    • BVaried sentence lengths
    • CDialogue
    • DMovement in the background
  5. 5.In the statement 'The narrator does not interact with their surroundings, or other characters', what word class is 'interact'?

    Medium
    • ANoun
    • BAdjective
    • CVerb
    • DAdverb
  6. 6.Which of these is a simile?

    Medium
    • AThe wind whispered through the trees.
    • BThe crowd was like a restless sea.
    • CThe clock ticked loudly.
    • DThe room was dark and cold.
  7. 7.Which punctuation mark is missing in this sentence? 'No sound could be heard'

    Easy
    • AQuestion mark
    • BExclamation mark
    • CFull stop
    • DComma
  8. 8.In the phrase 'The swarming, struggling crowd', what word class are 'swarming' and 'struggling'?

    Medium
    • ANouns
    • BAdjectives
    • CVerbs
    • DAdverbs

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