Paper 2 Unseen Poetry: Reading a Poem Closely

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Notas de aula

What Paper 2 asks

  • You read one poem (or extract) you have never seen and answer two compulsory questions, 15 marks each, in 1 hour 15 minutes.
  • The poem may be written in English or be in English translation; there are no set texts.
  • The rubric suggests spending about 20 minutes reading and planning before writing.
  • Both questions test all four AOs: detail and quotation (AO1), meaning (AO2), the poet's methods (AO3) and personal response (AO4).
  • The printed introduction to the poem is a clue — read it carefully (e.g.×"the poem describes the morning newspaper being delivered to the poet's apartment"×).

A reading routine

  • Read 1 — for sense: who is speaking, to whom, where, about what? What happens from start to end?
  • Read 2 — for shape: stanzas, line lengths, rhyme, repetitions, where the poem turns.
  • Read 3 — with the questions: underline everything that helps answer (a), then (b).
  • Note shifts in tone or perspective — words such as×but×,×yet×,×now×,×then×often mark a turn.
  • Always ask of any detail: what does it make me feel or think, and why did the poet choose it?

Speaker, voice and tone

  • The speaker (persona) is the voice of the poem; it may not be the poet.
  • Tone is the speaker's attitude — bitter, tender, playful, ironic, wistful, anxious.
  • Mood is the atmosphere the reader feels.
  • Direct address ("you") draws the reader in or speaks to a person; apostrophe addresses something absent or abstract.
  • Tone can shift: tracing that shift is often the heart of a good answer.

Imagery and figurative language

  • Simile: a comparison with×like×or×as×—×"as if knee-deep in water"×makes the delivery man's walk slow and effortful.
  • Metaphor: saying one thing×is×another, which transfers its associations.
  • Personification: giving human qualities to non-human things.
  • Symbol: an object that stands for a larger idea (a door, a season, a bird).
  • Semantic field: a group of related words (violence, light, water) that builds an idea across the poem.
  • Unexpected comparisons matter most — a newspaper set down "as if it were a newborn" and then "like a bomb" jolts the reader.

Sound and rhythm

  • Rhyme can bind ideas together, give closure, or feel forced and ironic; note when a rhyme scheme breaks.
  • Rhythm/metre: regular beats can suggest calm or routine; broken rhythm suggests disturbance.
  • Alliteration (repeated initial consonants), assonance (repeated vowel sounds) and sibilance (repeated×s×sounds) shape how lines feel.
  • Onomatopoeia: words that imitate sounds.
  • Only discuss a sound effect if you can say what it adds — and take care with sound in translated poems.

Structure and form

  • Enjambment: a sentence runs over a line break, creating momentum or suspense.
  • Caesura: a pause within a line, often for emphasis or hesitation.
  • Volta: a turn in thought or feeling.
  • Refrain: a repeated line; each return can change its meaning.
  • Know common forms: sonnet (14 lines), villanelle (19 lines with two refrains), ballad, dramatic monologue, free verse (no regular rhyme or metre).
  • The ending deserves special attention: does it resolve, twist or leave things open?

From feature to effect

  • Spotting a device is AO1 at best; examiners reward what you say about its effect (AO3) and meaning (AO2).
  • A useful pattern: what the poet does → how it works on the reader → why it matters to the poem's ideas.
  • Zoom in on single words: connotations of a verb or adjective often carry the poem's attitude.
  • Personal response (AO4) is a judgement:×"The final line is unsettling because…"×

Slides

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Questões de prática

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  1. 1.How many questions do you answer in Paper 2?

    Easy
    • ATwo, both compulsory
    • BOne from a choice of three
    • CFour short questions
    • DTwo from a choice of four
  2. 2.Roughly how long does the rubric suggest spending on reading and planning?

    Easy
    • AAbout 5 minutes
    • BAbout 45 minutes
    • CNo time — start writing at once
    • DAbout 20 minutes
  3. 3."The fog comes / on little cat feet." (Carl Sandburg) Which technique is this?

    Easy
    • AOnomatopoeia
    • BRefrain
    • CMetaphor
    • DSimile
  4. 4."I wandered lonely as a cloud" (Wordsworth) uses which technique?

    Easy
    • ACaesura
    • BSimile
    • CMetaphor
    • DAlliteration
  5. 5.What is a volta?

    Easy
    • AA turn in thought or feeling
    • BA repeated line
    • CA pause within a line
    • DA rhyme at the end of a line
  6. 6.What is enjambment?

    Easy
    • AA pause in the middle of a line
    • BRepeated vowel sounds
    • CA fourteen-line poem
    • DA sentence running over a line break
  7. 7.What is a caesura?

    Easy
    • AA type of rhyme
    • BThe title of a poem
    • CA pause within a line
    • DA line break
  8. 8.What is the difference between tone and mood?

    Medium
    • ATone is the title; mood is the ending
    • BTone is the speaker's attitude; mood is the atmosphere the reader feels
    • CThey mean exactly the same
    • DTone is rhythm; mood is rhyme

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