Descriptive writing

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Notas de aula

What is descriptive writing?

  • Description is communication that makes a place, object, person, group or physical entity vivid for the reader.
  • It is one of the four rhetorical modes (modes of discourse), alongside exposition, argumentation and narration.
  • In fiction, description is the mode for transmitting a mental image of the particulars of a story.
  • It works together with other fiction-writing modes such as dialogue, narration, exposition and summarisation.
  • Good description is more than amassing details: it brings something to life by carefully choosing and arranging words and phrases to produce the desired effect.

Planning a description

  • Decide what you are describing: a place, a person or a moment.
  • Choose the desired effect you want the description to have on the reader before you start writing.
  • Select details that serve that effect, and leave out details that do not.
  • Plan the order in which details will be revealed, so the description unfolds clearly.
  • Think about the dominant impression you want to leave and arrange words and phrases to create it.

Showing, not telling

  • Show by giving specific, concrete details rather than telling the reader a general judgement.
  • Instead of stating an emotion, present the observable details that reveal it.
  • Let the reader infer meaning from carefully chosen particulars.
  • Avoid vague summaries; give the reader something to see, hear or feel.

Using the senses

  • Draw on sight, sound, smell, touch and taste to make a description vivid.
  • Sensory details create a mental image of the particulars of a scene.
  • Choose sensory details that support the desired effect, not just any detail.
  • Combining senses can make a description more immersive and believable.

Choosing words: nouns, verbs, adjectives

  • Use precise nouns to name exactly what is there.
  • Use powerful verbs to convey action and energy.
  • Choose adjectives carefully; a few well-chosen ones are stronger than many weak ones.
  • Avoid overloading a description with adjectives, which can weaken the effect.
  • Word choice should serve the desired effect and the dominant impression.

Figurative language

  • Figurative language (such as metaphor and simile) can help create vivid mental images.
  • Use figures of speech to bring something to life, not merely to decorate.
  • Elaborate figures used without purpose can make writing feel strained or overwrought.
  • Keep figurative language consistent with the desired effect and the tone of the piece.

Zooming in and out

  • Zoom in to focus on a small, telling detail.
  • Zoom out to give the reader the wider scene or context.
  • Moving between close and wide views helps control pace and emphasis.
  • Use zooming to guide the reader's attention to what matters most.

Varying sentences for effect

  • Vary sentence length and structure to create rhythm and emphasis.
  • Short sentences can sharpen a moment; longer sentences can build detail and flow.
  • Vary sentence openings so the writing does not become monotonous.
  • Sentence variety helps produce the desired effect on the reader.

Avoiding cliché and purple prose

  • A purple patch is an over-written passage in which the writer has strained too hard to achieve an impressive effect.
  • The term comes from the Latin purpureus pannus, first used by the Roman poet Horace in his×Ars Poetica×(c. 20 BC).
  • Horace used it to denote an irrelevant and excessively ornate passage; in modern usage the sense of irrelevance is usually absent, though such passages are often incongruous.
  • Purple prose is lavishly figurative, rhythmic or otherwise overwrought.
  • Avoid cliché by choosing fresh, precise language rather than familiar, worn-out phrases.
  • Restraint and careful word choice are more effective than straining for an impressive effect.

Slides

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Questões de prática

Prévia grátis — 8 de 56 perguntas. Cadastre-se para ver todas.
  1. 1.Which word class describes a word that names a person, place, thing or idea?

    Easy
    • Anoun
    • Bverb
    • Cadjective
    • Dadverb
  2. 2.Which sentence uses the correct punctuation to mark a parenthesis?

    Easy
    • AThe beach, which was crowded, smelled of salt.
    • BThe beach which, was crowded smelled of salt.
    • CThe beach which was crowded, smelled of salt.
    • DThe beach which was crowded smelled, of salt.
  3. 3.Which sentence uses the correct spelling?

    Medium
    • AThe old house had a separate entrance.
    • BThe old house had a seperate entrance.
    • CThe old house had a seperrate entrance.
    • DThe old house had a seperat entrance.
  4. 4.Which sentence uses the semicolon correctly?

    Medium
    • AThe market was busy; the stalls overflowed with fruit.
    • BThe market was busy; and the stalls overflowed with fruit.
    • CThe market was busy; because the stalls overflowed with fruit.
    • DThe market was busy; which the stalls overflowed with fruit.
  5. 5.Which sentence is the best example of 'showing not telling' in descriptive writing?

    Medium
    • AHer hands trembled as she reached for the letter.
    • BShe was very nervous.
    • CShe felt a strong emotion.
    • DShe was scared and anxious.
  6. 6.Which sentence contains an example of personification?

    Hard
    • AThe wind whispered through the empty streets.
    • BThe wind was as cold as ice.
    • CThe wind blew strongly all night.
    • DThe wind was colder than yesterday.
  7. 7.Which sentence is an example of purple prose?

    Hard
    • AThe cerulean canopy of heaven wept its crystalline tears upon the verdant bosom of the earth.
    • BRain fell on the green fields.
    • CThe sky was blue and the grass was green.
    • DIt rained all afternoon.
  8. 8.Which sentence is a cliché that a descriptive writer should avoid?

    Challenge
    • AIt was a dark and stormy night.
    • BThe rain hammered the tin roof.
    • CGrey clouds swallowed the last of the light.
    • DPuddles shivered in the gutter.

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