Death of the Laird's Jock – Walter Scott
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课程笔记
The story at a glance
- "Death of the Laird's Jock" by Sir Walter Scott (1771–1832), written for the annual×The Keepsake×(1828).
- It is framed as a letter to the editor, who had asked Scott to suggest "a subject for the pencil" — a scene for a painter. Scott signs it "The Author of Waverley".
- The tale: an aged, bedridden Border champion, the Laird's Jock, watches his son fight an English champion — and dies of grief when his son falls and his famous sword is taken.
- Set in Liddesdale on the Scottish–English Border, in the late years of Queen Elizabeth I's reign.
- Key ideas: honour and national pride, old age and lost strength, father and son, art and storytelling.
The frame: poetry and painting
- Scott begins with an essay-like reflection: poetry and painting both excite the imagination, but a painter can show only "the single NOW" — not the past or future.
- So he offers a story whose interest is "concentrated in one strong moment of agonizing passion" that can be understood "at a single glance".
- At the end he describes the painting he imagines: the old man's "furious despair" contrasted with "the softness and beauty of the female form" (his daughter), the flags of St George and St Andrew at either end of the lists.
- The frame makes the story self-conscious: we watch Scott choosing and shaping a moment for art.
- Before the tale, the anecdote of Bernard Gilpin removing a champion's challenge-glove from a church shows how deep the Border custom of single combat ran.
The Laird's Jock and his sword
- The Armstrongs held Liddesdale; their chief was the Laird of Mangerton. John Armstrong, called "the Laird's Jock" (the Laird's son Jock), kept the name even after his father died.
- He was unrivalled in single combat, wielding a huge two-handed sword that few could even lift — "awful sword", the people called it.
- The sword had been bequeathed to him by Hobbie Noble, an English outlaw who became his brother-in-arms, and who was executed after venturing into England with a light sword instead.
- The sword stands for the Laird's Jock's identity, the clan's honour and Scotland's pride.
The combat
- Now old and bedridden for two years, the Laird's Jock is cared for by his devoted only daughter.
- An English champion, Foster, challenges the best swordsman of Liddesdale; the Laird's only son accepts.
- Overjoyed, the old man gives his son the celebrated sword and, against his daughter's pleas, is carried to the field wrapped in plaids and seated on a rock — still called "the Laird's Jock's stone".
- Old men grieve at his wasted frame; young men gaze at him like "some antediluvian giant".
- The son falls. Foster, foot on his opponent, seizes the sword and brandishes it as a trophy; the English cheer.
The climax and death
- The old man starts up from the rock; his coverings fall from his wasted frame, showing "the ruins of his strength".
- He tosses his arms to heaven and utters a cry of "indignation, horror, and despair" — heard at a "preternatural distance", more like "the cry of a dying lion" than a human sound.
- Carried home, he dies within three days — never mentioning his son's name, lamenting only the loss of his noble sword.
- To him the son is "the degenerate boy" through whom the honour of country and clan was lost.
- The daughter weeps for her brother and tries, in vain, to soothe her father.
Themes, methods and response
- Honour over love: the father grieves for the sword and the nation's shame, not for his dead son — admirable heroism, or chilling pride?
- Age and decline: "years pass on with the strong and the brave as with the feeble and the timid".
- National rivalry: Scotland vs England, St Andrew vs St George.
- Methods: frame narrative, first-person authorial voice, historical and legendary detail, visual description, the simile of the dying lion, contrast (giant vs ruin; fury vs the daughter's softness).
- Section B pairings: "The Copper Beeches" or "A Warning to the Curious" (other framed or told tales), "Gabriel-Ernest" (the uncanny).
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练习题
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1.Who wrote 'Death of the Laird's Jock'?
Easy- AWalter Scott
- BRobert Louis Stevenson
- CCharles Dickens
- DThomas Hardy
2.What form does the story take?
Easy- AA diary
- BA play script
- CA newspaper report
- DA letter to the editor suggesting a subject for a painting
3.How does Scott sign the letter?
Easy- AA Border Laird
- BYour Friend
- CThe Author of Waverley
- DSir Walter Scott
4.Why does Scott say this story suits a painter?
Medium- AIt is set in Italy
- BIts interest is concentrated in one strong moment understood at a single glance
- CIt has many characters
- DIt is very long
5.Where is the story set?
Easy- ALiddesdale, on the Scottish Border
- BEdinburgh
- CLondon
- DThe Highlands
6.What does 'the Laird's Jock' mean?
Medium- AThe Laird's horse
- BThe Laird's servant
- CA Scottish sword
- DThe Laird's son Jock
7.Who left the Laird's Jock his great sword?
Medium- AQueen Elizabeth
- BFoster
- CHobbie Noble, an English outlaw
- DHis father
8.Who cares for the old Laird's Jock?
Medium- AMonks
- BHis only daughter
- CHis wife
- DHis son
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