Gabriel-Ernest – Saki
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课程笔记
The story at a glance
- "Gabriel-Ernest" by Saki (Hector Hugh Munro, 1870–1916), from×Reginald in Russia×(1910).
- A darkly comic werewolf story set among the Edwardian English gentry.
- The landowner Van Cheele finds a wild, naked boy in his woods who claims to eat "flesh" — including children. The boy turns up in his house; Van Cheele's aunt adopts him and names him Gabriel-Ernest.
- At sunset the boy walks a small child home — and both vanish. The village believes he died saving the child; a memorial calls him a hero.
- Key ideas: civilisation vs wildness, appearance and reality, gentry self-importance and naivety, the supernatural, dark humour and irony.
The boy in the woods
- The artist Cunningham remarks, "There is a wild beast in your woods" — then refuses to explain.
- Van Cheele, a talkative "naturalist" who likes topics for conversation, finds a boy of about sixteen sunning himself by a pool: his light-brown eyes have "an almost tigerish gleam".
- The dialogue is deadpan and chilling: "I don't sleep at night; that's my busiest time." He eats "Flesh" — "rabbits, wild-fowl, hares, poultry, lambs in their season, children when I can get any".
- "At night I hunt on four feet." His laugh is "pleasantly like a chuckle and disagreeably like a snarl".
- He leaps at Van Cheele like an otter, then vanishes into the ferns. Van Cheele recalls that the miller's baby went missing two months ago — the mother heard a shriek on the hillside, not by the water.
In the house
- Van Cheele, a parish councillor and justice of the peace, keeps quiet — worried about his reputation and a bill for raided lambs.
- His aunt remarks, "One would think you had seen a wolf" — an ironic joke he misses.
- Next morning the boy is "gracefully asprawl on the ottoman" in the morning-room — still naked. Van Cheele hides him under the ×Morning Post×.
- He claims the boy has lost his memory; Miss Van Cheele warmly adopts him "as a stray kitten" and names him "Gabriel-Ernest" — "nice suitable names".
- The spaniel bolts and the canary barely cheeps: animals sense what humans ignore. The aunt plans for him to help at her Sunday-school tea.
The truth and the ending
- Cunningham finally tells what he saw: at sunset a naked boy like "some wild faun of Pagan myth" — and when the light went, "a large wolf, blackish in colour… cruel, yellow eyes".
- Van Cheele races home, knowing "Gabriel-Ernest is a werewolf" is too absurd for a telegram.
- His aunt has sent Gabriel-Ernest to walk the little Toop child home — "so late, I thought it wasn't safe to let it go back alone" — dramatic irony.
- As the sun sets and "the colour went suddenly out of things", Van Cheele hears "a shrill wail of fear".
- Neither is seen again. The boy's clothes are found by the mill-stream; it is assumed he died trying to rescue the child. A memorial brass reads: "Gabriel-Ernest, an unknown boy, who bravely sacrificed his life for another." Van Cheele refuses to subscribe.
Methods
- Third-person narrator with dry, satirical asides (Van Cheele "had a stuffed bittern in his study").
- Deadpan dialogue: horrors spoken lightly ("It's quite two months since I tasted child-flesh").
- Foreshadowing: the wild beast, the tigerish eyes, the missing baby, the spaniel, the aunt's joke about a wolf.
- Sunset motif: each transformation comes as colour drains from the landscape.
- Irony: a monster honoured as a hero; a pious aunt feeds a child to a wolf; Mrs Toop, "who had eleven other children, was decently resigned".
- Dark humour mixed with horror — Saki's hallmark.
Themes and comparisons
- Wildness beneath civilisation: the "primly ordered house" cannot contain nature.
- Gentry satire: Van Cheele's self-importance, the aunt's sentimental charity, society's comfortable explanations.
- Appearance vs reality: clothed and groomed, the boy is still a predator.
- The supernatural: left strange and unexplained — the story never states it outright until Van Cheele thinks it.
- Section B pairings: "A Warning to the Curious" (ghostly horror), "The Copper Beeches" (danger in the countryside), "Indian Summer of an Uncle" (comic satire of the gentry).
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练习题
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1.Who wrote 'Gabriel-Ernest'?
Easy- ASaki
- BM R James
- COscar Wilde
- DP G Wodehouse
2.What does Cunningham say as he leaves?
Easy- ABeware the full moon
- BYour aunt is in danger
- CI saw a ghost
- DThere is a wild beast in your woods
3.Where does Van Cheele first find the boy?
Easy- AAt the railway station
- BIn the church
- CSunning himself on a stone above a pool in the woods
- DIn his morning-room
4.What does the boy say he feeds on?
Medium- AFish from the pool
- BFlesh — including children when he can get them
- CBerries and nuts
- DBread from the village
5."At night I hunt on four feet" is an example of…
Medium- Aforeshadowing
- Ba simile
- Conomatopoeia
- Da flashback
6.How is the boy's laugh described?
Medium- ALoud and cheerful
- BSilent
- CLike a child's giggle
- DPleasantly like a chuckle and disagreeably like a snarl
7.Why does Van Cheele keep quiet about the boy at first?
Medium- AHe is sworn to secrecy
- BHe forgets
- CHe fears for his reputation as a councillor and magistrate
- DHe wants to adopt him
8.Where does the boy appear the next morning?
Medium- AAt the mill
- BOn the ottoman in the morning-room
- CIn the aunt's bed
- DIn the church
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